No. 33

Syndemic Studies

Voluspa Jarpa

March 20 - May 21, 2021

OPENING: 2021-03-20 01:00:00

NOME is pleased to announce Voluspa Jarpa’s exhibition Syndemic Studies, curated by Tiago de Abreu Pinto. Syndemic Studies is the study-phase of the project SINDEMIA, with which Jarpa won the inaugural Julius Baer Art Prize for Latin American Female Artists, in collaboration with the Modern Art Museum in Bogota – MAMBO (2021).

The term syndemic was introduced in the 1990s in the field of medical anthropology to describe the synergistic nature of disease, namely how a disease interacts with other illnesses. In Syndemic Studies Jarpa diagnoses the multiple, intertwined maladies currently affecting her native Chile. Between October 2019 and June 2020, Chile’s citizens witnessed one crisis after another. A social revolt spread through the streets of the country’s cities that was sparked by a raise in subway fares but quickly extended to encompass broader issues related to economic and social inequality.

Deemed a “social outbreak,” a term typically applied to the spread of illness, the gatherings that ensued in public space produced new constellations of what theorist Ariella Azoulay calls “the civil language of revolution.” Consisting of sets of gestures, movements, signs, sounds, and images that both transcend and undermine contemporary geopolitical borders, this language can be spoken by anyone, “but never alone, its statements are made of many and by the many.” Voluspa Jarpa draws upon the visual vocabulary from this social shock to create a series of new works that explore the languages of power and resistance. The pellets used to purposefully blind demonstrators and the lasers used by protestors to confound the police appear in different formations in a series of “studies,” including a laser installation, a “floating” sculpture comprised of metal pellets, and prints of bullet ridden trees.

 

With the support of:
Fondo Nacional de Desarrollo Cultural y las Artes, convocatoria 2021- Ministerio de las Culturas, las Artes y el Patrimonio de Chile
Dirección de Asuntos Culturales del Ministerio de Relaciones Exteriores, Chile
Stiftung Kunstfonds and NEUSTART KULTUR-Programm, Germany

 

 

 

Installation Views

Installation View Installation View

Photos by Billie Clarken

syndemic studies

Rage. Inhaling a cloud of grey smoke. “When one knows in advance where one wants to go, a dimension of the experience is lacking, which consists precisely in running the risk of not going to the end.1 Turchin. You know him?”

“Who?”, with an angry apathy.
“So, the guy has a lot to do with this thing.”
“There we go again,” he said wearily.
“What?”, leaning forward.
“…”, taking a sip of coffee while keeping eyes on him.
“Enough of it!”, with haughty aloofness, “Come on! It’s pretty clear that it’s time to talk about

it. Damn! The case is clear: a government is being judged for blinding 460 young men. To blind them! Can you fucking imagine?”

“I know! You don’t need to lecture me about it.”

“Don’t I? It’s always the same thing! Many others were hurt or killed! Another one was thrown off a bridge.2 Many others were cold bloodedly killed in Colombia3 and you treat it as if it was futile or…”

“I didn’t say that,” emphatically.

“But, you…”, ignoring the interruption and carrying on, “… you implied with your tone!”, letting the ash of the cigar that he was holding between his fingers drop all over the table.

“Careful!”, moving the ashtray towards him “Okay. Can we get back to what you were saying?”, feeling that the pressure of the subject was crushing them together.

Read the complete text here

Tiago de Abreu Pinto

Artworks