NOME is pleased to announce Kommando 52, the gallery’s third solo exhibition featuring Italian artist Paolo Cirio. The exhibition showcases Cirio’s cross-media project,Resurrect, which addresses anti-militarist, anti-fascist, and anti-imperialist themes by reanimating controversial figures from neo-colonial wars using artificial intelligence.The project includes ten videos which can be seen on the project website Resurrect-Mercenary.com and on social media. Cirio spread them online and infiltrated online communities. The videos are now installed in the exhibition together with objects and another video work.
The series features four historic mercenaries from France, Germany, Belgium, and the United Kingdom, respectively Bob Denard, Siegfried Müller, Jean Schramme, and Mike Hoare, who were active in the Congo in the 1960s. The projectResurrect explores these characters using extensive research as a means of experimental storytelling and a creative form of anti-war activism. In the deep fake videos, the protagonists speak in their original voices, sharing reflections on their lives and actions generated through artificial intelligence. By utilising archival photos and videos, along with their writings and biographies, Cirio gives these figures a new life as reanimated repentant soldiers.
The exhibition’s title refers to the infamous Kommando 52, a German mercenary force that, along with other paramilitary groups, was part of a coalition of Western countries committed to maintaining control over mineral-rich regions in Congo after its independence in 1960. Some of these mercenaries later became warlords, participating in various coups and military operations over subsequent decades. Despite their sordid histories, many are still regarded as war heroes, with their myths perpetuated in online communities, action movies, and history books. By using artificial intelligence to reanimate these figures,Resurrect repurposes history and infiltrates contemporary cultural narratives. The project explores the ethical implications of identity theft, the freedom of speech challenges posed by AI, and its impact on cultural storytelling. Moreover, this project refers to the ongoing conflict in the Congo, still driven by mercenary forces, resulting in millions of deaths and fueled by colonial interests in the mining of rare minerals used in high-tech industries, including AI.
